Ragnarok

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Lyrics

Beneath the iron sky the long trees bow
(鉄の空の下で高く伸びた木々が頭を垂れる)
Frost breath cracks the spokes of every town
(霜の吐息が町ごとの車輪を砕く)
Sea mouths open swallowing the anchored lights
(海の口が開き碇泊する灯を呑みこむ)
A wolf of dusk lifts hunger to the nights
(夕闇の狼が夜へと飢えを掲げる)

終焉の扉が開き星は落つ
(The gate of ending opens and the stars fall)
火種が紡ぐ祈り
(A prayer spun from embers)

Ragnarok we call the falling storm
(神々の終焉 我らは降り注ぐ嵐を呼ぶ)
Across the shredded heavens we will form
(裂かれた天空を越えて我らは結集する)
Runes burn bright across the broken ring
(砕けた環にルーンが明々と燃える)
With open hands we face the final swing
(我らは開かれた手で最後の一振りに向き合う)

Stormforged banners fray and scatter on the wind
(嵐に鍛えられた旗は擦り切れ風に散る)
Temple bells unspool the year they could not mend
(神殿の鐘は癒せなかった歳月をほどき出す)
Iron serpents coil and stretch along the keel
(鉄の蛇が竜骨に沿ってうねり伸びる)
Every oath undone is measured by the wheel
(解かれた誓いはすべて輪の目により量られる)

遺光が誓いを呼び戻す
(A lingering light summons the vows back)
忘れられた焔が夜を裂く
(A forgotten flame rends the night)

We stand where the old pillars burn
(我らは古き柱が燃える場所に立つ)
We count the sparks and do not turn
(我らは火花を数えそれでも背を向けはしない)

Ragnarok we call the falling storm
(神々の終焉 我らは降り注ぐ嵐を呼ぶ)
Across the shredded heavens we will form
(裂かれた天空を越えて我らは結集する)
The world will cleave and then begin again
(世界は裂けやがて再び始まる)
We raise the broken sigil from the fen
(我らは泥沼から砕かれた紋章を掲げる)

Prompt

Galloping melodic death metal focused on aggressive guitar riffing and relentless motion. Tempo 240 BPM. Lead guitars must carry main hooks with harmonized lines and neoclassical phrasing. Riffs alternate fast tremolo passages and tight palm muted chugs with gallop grooves. Drums always deliver precise double bass drums or blast beats with crisp snare attack. Bass locks to kick for punchy low end and may add saturation for grit. Orchestral textures may appear sparingly as low drones and must never replace guitars. Vocals are harsh growls layered in choruses with selective clean lines for contrast. Include a virtuosic guitar solo mid song blending speed and melody. Mix to emphasize midrange clarity so riffs cut through, short reverb on percussive parts and longer ambience on swells. Master loud while preserving transient detail. Pan rhythm guitars wide and keep leads centered. Allow room for vocal and solo play.